All too predictably, this remake of the Hong Kong horror film THE EYE (”Gin Gwai,” 200) recreates the original story with slick but anonymous Hollywood production values replacing personal vision. By now, the formula has become so mechanical that one wonders whether the filmmakers could be replaced with some kind of device, the cinematic equivalent of Photoshop, which would take the existing work and ”retouch” it according to a programmed set of parameters: The dialogue must be translated into English. The location must be shift to the United States. The story should be presented more or less intact even if it makes less sense in its new language and location. To compensate for anything lost in translation, a few extra jump-scares should be added at arbitrary moments. The horror scenes should be enhanced with more elaborate makeup and/or special effects. The cast should be young and beautiful but not necessarily talented or famous. The script should spell everything out in letters as big as those on top of an eye-exam chart, lest viewers be too short-sighted to spot subtle details; and just in case, the actors should read the chart loudly, slowly, and clearly, so that the audience will hear everything they failed to see on their own. In the case of THE EYE, the result feels like a case of the blind leading the (presumed) blind - the filmmakers keep point to details that we see coming from a mile away.
READ THE REST HERE.